If you look at one of Steaphan Paton’s works and can’t quite imagine how it was made, that’s good. Don’t ask, just enjoy not knowing and embrace the theatre of the object. To date, Paton’s practice encompassed a wide range of materials and processes, but fundamentally, he considers all his works to be forms of sculpture.
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“I met a man who told me he loved my ceramic bin. It took him back to his childhood when him and his friend used to tip them over and use them as cricket wickets. I was tempted to tell him about how I watched a man take a shit in one once in an open field.”
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